Peg Fitzpatrick

How did you become a writer?

I've always been a creative person - I was in theater and sang in school. I took photography classes in college and loved it. I've designed costumes and done many other creative things. When I started in social media people kept asking me if I had  a blog which I didn't but I eventually started on. So I guess you could say I'm a writer-on-demand. The best part about that was that I had a built-in audience for my blog when it launched.

Blogging and social media turned into writing my first book, The Art of Social Media: Power Tips for Power Users, with co-author Guy Kawasaki.

Name your writing influences (writers, books, teachers, etc.).

My writing influences are Nora Ephron, Elizabeth Gilbert, and Guy Kawasaki. 

When and where do you write?

I write at home in my office ideally first thing in the morning. For my blog, I write on Saturday mornings and edit on Sunday. I bring my laptop when I travel and try to write on the go as well. 

What are you working on now?

I'm working on a book for writers on how to market and launch their books. It's much harder than you think to sell a book!

Have you ever suffered from writer’s block?

I'm very lucky to say no, I haven't. I've had projects take longer than I had anticipated but finished them. I have tons of ideas that I keep on Evernote and Trello so I can grab something from them if I need to.

What’s your advice to new writers?

My advice is to just start writing! Don't worry if you don't have a publisher or agent etc. If you have an idea, suss it out and keep working on it. Just start writing and don't edit as you go. Write, write, write. Then you can edit later.

Peg Fitzpatrick is a social media strategist and popular blogger writing on her own website and across the web. Social media is her passion. And her job. She's built a thriving social media platform of over 1,000,000 followers. Peg has spearheaded successful social-media campaigns for Motorola, Audi, Google, and Virgin as well as having been a brand ambassador for Kimpton Hotels. The Art of Social Media: Power Tips for Power Users is her first book.

http://pegfitzpatrick.com/

Jon Land

How did you become a writer?

Ah, a simple question with a complicated answer. It wasn’t something I planned. For me, law school after college was always as certain as college was after high school. But early on at Brown I fell in love with the process of writing anything, mostly term papers. There was something about it—the organization, the challenge of smooth transitions, of finding a style that was interesting to me so it would be interesting to professors—I just took to right off the bat to the point that I tried my hand, rather successfully, at journalism and ended up falling in love with seeing my name in print too! Now, because of Brown’s exceedingly liberal curriculum, I was able to change horses in the middle of the stream and some terrific professor mentors stepped up and took a chance on me when I decided I wanted to write a novel as a my senior thesis. The concept was to show what I’d learned about the novel by actually penning one. Little did I know at that point my senior thesis was going to end up as a thriller!

Name your writing influences (writers, books, teachers, etc.).

Well, studying English and American Literature at Brown infected me with a love of reading that left me turning toward it for entertainment too. I devoured Robert Ludlum, Stephen King, Clive Cussler, and David Morrell. More than anything, I wanted to write like they did which, I guess, makes them my primary influences. But long before then as a little kid I’d fallen in love with the early James Bond movies starring Sean Connery. I think those movies influenced my approach to structure more than anything else—you can still somewhat see them in every book I write. I also became a huge fan of The Twilight Zone and Alfred Hitchcock Presents. So I guess you could say I actually fell in love with storytelling because on a weekly basis that’s what those shows did—told great stories. Long before I was a writer, I was a storyteller too. I just didn’t realize where that foundation was going to end up taking me.

When and where do you write?

I have a second bedroom in my townhouse I use as my office. It’s my comfort zone and finding that comfort zone is crucial to becoming and staying a writer for the consistency, familiarity and security it provides. When I write is a harder question to answer since there are so many demands on my time outside of the process itself. There always seem to be galleys to proof, a copyedited manuscript to review, or something I’ve got to get done on social media. I’d be thrilled if all I had to do was write, but it’s only a part of a much greater whole now. I ordinarily work in two shifts, like 11-3 and 8-12 seven days a week for the most part. And when I’m doing a first draft I normally set aside two hours in each of those blocks. That’s about as far as I can go without feeling stale and, since I write very fast, a four-hour writing day is easily 15-20 manuscript pages. And, of course, there’s the rewrite process to consider as well. To me, a first draft is about getting it down and everything else is about getting it right. I don’t outline, so my first drafts tend to be crammed with stuff that ends up getting dumped once I figure out where I’m really going. I normally do 4-5 drafts with each one getting progressively more specific and precise. Sometimes I wish I was more of an outliner since there are always a few spots in a book where I end up having no idea how I’m going to tie everything together. Thank God, my characters figure the way out of the mess to bail me out!

What are you working on now?

I’m actually trying my hand at my first horror story. It’s a work-for-hire project based on someone else’s concept that I’m developing from scratch. I’m actually having fun with it, but I hate the process because I didn’t get into this business to have somebody else tell me how and what to write. It’s like having a real boss, for God’s sake! But one of the keys to survival in this business, never mind thriving, is to continually be willing to reinvent yourself. You can’t be rigid in determining what you will and won’t do if you want to maximize your opportunities for success. That’s why my second nonfiction book/thriller is coming out in March. That’s why I’ve joined forces with the romantic suspense icon Heather Graham to pen a new science fiction series. And that’s why I’ll do work-for-hire even though it goes totally against my nature. Very few writers these days make it going through the first door they see; it usually takes lots of doors and, in my case, several doors at the same time and writing what amounts to three books a year. Gotta pay the mortgage, right?

Have you ever suffered from writer’s block?

I’m happy to say no, never. I don’t believe in it. Writing is my job and it’s no different than any other. Avoiding writer’s block is all about controlling the work instead of letting the work control you. But I also have three strategies I employ to keep writer’s block the phrase that won’t be spoken: (1) I always leave off in the middle of a page, paragraph or even sentence so I get a running start in my next session. In other words, don’t stop when you finish a chapter, start the next one so you know where you’re going. (2) I save books by my favorite writers so I’ll always have them to read a little of before I start my own writing. It inspires me and puts me in the right mindset, reminds me of who I am and what I’m going. (3) I let my characters do the heavy lifting, let them dictate to me where the story is going. When you trust your characters, writer’s block is vanquished by their ability to command the narrative. The great John D. McDonald once said that story is stuff happening to people you care about. And I make sure everything I write fits into that rule.

What’s your advice to new writers?

First and foremost, tell a story. I don’t care what kind of writer you are or what genre you’re writing in, you need to have a strong narrative—a coherent beginning, middle and end. That means you need to have a firm grasp of structure which comes as much from reading as writing. Robert Louis Stevenson once said that you can only write what you would read if someone else had written it. So being a great writer means you have to be a great reader first. Find the authors who inspire you the most, who you enjoy reading the most, and you’ll know what it is you’re supposed to be writing. All art, all creative expression, starts with imitation. You sing in someone else’s voice until you find your own and there’s nothing wrong with that at all. William Goldman never could have written Marathon Man right out of the box, any more than Robert Ludlum could have penned The Matarese Circle, Stephen King The Stand or Clive Cussler with Raise the Titanic. There aren’t many thriller writers who hit their stride and find their voice with book one. The whole process is based on growth, self-learning, and when you think you’ve got it all figured out, that’s the time you need to worry.

Jon Land is the USA Today bestselling author of 37 novels, including the critically acclaimed Caitlin Strong series that includes Strong Enough to Die, Strong Justice, Strong at the Break, Strong Vengeance, Strong Rain Falling, and Strong Darkness. Strong Rain Falling won both the 2014 International Book Award and 2013 USA Best Book Award for Mystery-Suspense, followed by the 2013 USA Best Book Award for Thriller, followed by Strong Darkness winning the 2014 USA Books Best Book Award for Thriller. His most recent book, Black Scorpion, was published on April 7 with the next in the Caitlin Strong series, Strong Light of Day, coming in October. He's a 1979 graduate of Brown University, lives in Providence, Rhode Island and can be found on the Web at jonlandbooks.com or on Twitter @jondland.

Brad Meltzer

How did you become a writer?

I was coming out of the University of Michigan and I had a job offer from the man who used to run Games magazine. He told me, “If you love the job, you’ll stay. If you hate it, you’ll leave a year later with some money in your pocket.” Since I had some debt to pay off, that seemed like a fair deal. So I moved all my stuff to Boston. But when I got there, the publisher left the magazine. (Surprise!) The whole reason I went there was to work for him. I thought I’d wrecked my life. I had no idea what to do. So I did what all of us would do in that situation. I said, “I’m gonna write a novel.” And I just started writing. Every day, I just fell more and more in love with the process.

Name your writing influences (writers, books, teachers, etc.).

Agatha Christie, Judy Blume, thousands of comic books, and Ms. Sheila Spicer, who did this: In ninth grade my English teacher, Sheila Spicer, told me I was in the wrong class.

“You can write,” she said.

From there, she tried to move me to the honors class, but because of a conflict in my schedule, the honors class wasn’t an option. So she took me aside and told me: “For this entire year, I want you to ignore everything I do at the blackboard. Ignore all the homework assignments I give. Ignore all the discussions. Instead, you’re going to sit here and do the honors work.”

And I did.

What she was really saying was: You’ll thank me later.

A decade later, when my first novel, The Tenth Justice, was published, I went back to Ms. Spicer’s class and knocked on the door.

“Can I help you?” she asked, not recognizing me. (Of course she didn’t recognize me; the last time she saw me, I had a full head of hair.)

“My name is Brad Meltzer,” I told her, handing her a copy of my first novel. “And I wrote this book for you.”

Within seconds, she was crying. When I asked her why, she told me she was thinking about retiring because she didn't feel she was having an impact anymore.

“Are you kidding?” I asked. “You have thirty students. We have only one teacher.”

As I look back on it, Ms. Spicer was the first person who ever told me I could write. Meeting her--having her be my English teacher--was of the most important moments of my life. She made me love Shakespeare by forcing me to read Romeo & Juliet out loud (she made me read Romeo, and made the girl I had a crush on read Juliet). She taught me how to compose a proper essay. And it was thanks to her belief in me that I eventually found the internal strength to become a writer.

But what I’m most proud of is that I got to be there at her eventual retirement party. I owe her forever. And when I saw her, I realized there’s always more she’ll teach me. I’ll forever be her student.

Oh, and that ninth grade crush who read the part of Juliet? I married her.

When and where do you write?

At home in a small office. I start around 9:30 or 10am and go until I have nothing left. It’s like squeezing a sponge dry. Sometimes that’s 4pm, sometimes it’s later. But I always try to end for dinner with my kids.

What are you working on now?

The kids books and the next thriller. We’ve done I Am Albert EinsteinI Am Amelia Earhart…and July 14, we’re doing I Am Lucille Ball. Then in September, it’s I Am Helen Keller, which has real braille in the book. The goal isn’t to just a few books. We want to help you build a library of real heroes for your kids, grandkids, nieces and nephews.

Have you ever suffered from writer’s block?

Only if that means: “Have you had days where it’s coming out sucky?”

What’s your advice to new writers?

Stories aren’t what did happen. They’re what could happen.

Writing a book is like building a sandcastle a grain of sand at a time.

After the ending, writing seems easy. Remember that at the beginning.

The most authentic story you’ll ever tell is your own story.

The X-factor on every page is whether the writer loves what they’re doing.

The more it hurts, the more you need to use it in a book.

The best revenge is the artful truth.

You’re not a writer until you think it sucks.

Grab them by the throat or they’re going elsewhere.

It’s okay to admit it’s hard. If it were easy, everyone would do it.

Write, write, write, write, bang head against wall, write some more.

Don’t be so hard on yourself. Everyone else will be.

As a friend told me: Everyone gets three exclamation points in their life. That’s it.

When you get a bad review, watch this:

https://www.youtube.com/watch?v=ZaDdj42HdPo

FInally:  

1)  Write your book.

2)  Rewrite it.

3)  See rule 2.

4)  Don’t let anyone tell you No. Submit it. You’ll get rejections. I got 24 rejections on my first book, and there were only 20 publishers at the time. But keep going.

 5) See rule 4. And see it again. And again. All it takes is one person to say YesDon’t let anyone tell you No.

Brad Meltzer is the #1 New York Times bestselling author of The Inner Circle, The Book of Fate, and seven other bestselling thrillers including The Tenth Justice, Dead Even, The First Counsel, The Millionaires, The Zero Game, The Book of Lies, and The Fifth Assassin. His newest novel The President’s Shadow is just out from Grand Central Publishing. 
In addition to his fiction, Brad is one of the only authors to ever have books on the bestseller list for Non- Fiction (History Decoded), Advice (Heroes for My Son and Heroes for My Daughter), Children’s Books (I Am Amelia Earhart, I Am Abraham Lincoln, I Am Albert Einstein and I Am Rosa Parks) and even comic books (Justice League of America), for which he won the prestigious Eisner Award. He is also the host of “Brad Meltzer’s Lost History” on H2 and “Brad Meltzer’s Decoded” on the History Channel. The Hollywood Reporter recently put him on their list of Hollywood’s 25 Most Powerful Authors. 
His other non-fiction books, Heroes for My Son and Heroes for My Daughter, are collections of heroes – from Jim Henson to Sally Ride — that he’s been working on since the day his kids were born. His newest nonfiction
is History Decoded: The 10 Greatest Conspiracies of All Time. 
He’s also one of the co-creators of the TV show, Jack & Bobby.