Andrew Martin

How did you become a writer? 

In 1988, I won a competition run by The Spectator magazine, and so became their Young Writer of the Year. At the time, I was a postgraduate law student trying to decide whether to give up the law for journalism. Winning that competition persuaded me to do so, in that I didn’t see myself ever becoming Young Lawyer of the Year.

Name your writing influences (writers, books, teachers, etc.).

I try to learn from my favourite writers, who include Charles Dickens, Charlotte Bronte, Ernest Hemingway, Scott Fitzgerald, Vladimir Nabokov, Patricia Highsmith, Martin Amis. But any writer who said they were influenced by, say, Nabokov could expect to be laughed it. It’d be like saying you were influenced by Shakespeare. 

When and where do you write? 

In the morning, between about 9.30 and 1pm, while lying in bed. Sometimes, I feel guilty about proceeding in this way, so I get up, make the bed and write while lying on it rather than in it. I might do an extra hour later in the day, perhaps sitting in my garden shed while smoking a cigar. One petit corona (that’s a cigar, not a virus) equals about eight hundred words. But mornings should be enough. Charles Dickens, I think, wrote only between about 9am and 2pm.

What are you working on now? 

I’m reading the proofs of the latest novel in my series of historical thrillers about a railway policeman called Jim Stringer. It’s the tenth one in the series. The ninth appeared about seven years ago, so my publishers are billing this as ‘the return of Jim Stringer’. It’s called Powder Smoke and is a kind of western set in the north of England in 1925. 

Have you ever suffered from writer’s block? 

No – can’t afford it. I always need the delivery money. 

What’s the best writing advice you’ve ever received?

When I was at university, a friend who was reading English (whereas I was reading History) looked over a job application letter I’d written. It began something like, ‘Dear Sir, I wonder if, by any chance, you might possibly be willing to consider my application for…’ My friend said: ‘There are too many words here.’ 

What’s your advice to new writers?

Keep writing until you are genuinely pleased with what you’ve produced, by which I mean that you still like it a week later. That’s your tone. Don’t analyse it too closely, because you don’t want to become self-conscious about it, but keep trying to re-locate that groove. 

Andrew Martin is the author of fifteen novels and seven works of non-fiction. His novels are mostly in the historical crime genre, and include the award-winning Jim Stringer series, set on the railways of early twentieth century Britain. A new Jim Stringer novel, Powder Smoke, is forthcoming in January 2021. Martin’s latest stand-alone novel is The Winker, which is set in 1976, and concerns a would-be pop star who winks at people and then kills them. Andrew Martin’s website is at jimstringernovels.com.

Stephen Graham Jones

How did you become a writer?

Just an avid reader who wanted to participate, probably. Stories and comics and novels gave me so much, growing up, and still, that I wanted to step onto that board. Either that or I grew up with a lot of brothers, and was always having to make up more and more convincing lies about who's fault this mess actually was, and I found that I could skate, pretty much, I could spin stories that would completely get me out of trouble. So I just kept doing it.

Name your writing influences (writers, books, teachers, etc.).

William J. Cobb and Janet Burroway were both big parts of the graduate programs I was, and I see traces of their work and words all through my stuff. Philip K. Dick, Louise Erdrich, Octavia Butler, Stephen King, Kurt Vonnegut, Louis L'Amour, they're all part of my writer DNA as well. Along with Conan the Barbarian. Of course.

When and where do you write? 

Just when—and wherever I can find a moment out of the wind, pretty much. I do a lot of writing in airports, in hotels, waiting for buses. And of course my study at home, my office at work. And I'm always pulling my bicycle over to jot a line or two down. Or, sometimes I think I can just pedal and write at the same time. Sometimes it works out. Often it doesn't.

What are you working on now? 

Edits for a slasher novel out next summer. And some scripts—feature, television, and comic. And of course short stories. I'll always be writing short stories. 

Have you ever suffered from writer’s block? 

Nope. Doesn't seem like it'd be fun, and I think it's all made-up anyway. 

What’s the best writing advice you’ve ever received?

Leave the door to my study open, so my family can come in when they need to, since they're more important than words on a page. That's from Janet Burroway.

What’s your advice to new writers?

Read outside your genre. Choose writing over everything but family and health. Specifically, always choose it over reality television or the bar.

Stephen Graham Jones is the author of twenty-five or so novels and collections, and there’s some novellas and comic books in there as well. Stephen’s been an NEA recipient, has won the Texas Institute of Letters Award for Fiction, the Independent Publishers Award for Multicultural Fiction, a Bram Stoker Award, four This is Horror Awards, and he’s been a finalist for the Shirley Jackson Award and the World Fantasy Award. He’s also made Bloody Disgusting’s Top Ten Horror Novels, and is the guy who wrote Mongrels and The Only Good Indians. Stephen lives in Boulder, Colorado.

Amanda Brainerd

How did you become a writer?

I was hosting a dinner party and was speaking to a writer friend about growing up in New York in the late 1970s and early 1980s and how insane the parents were. Suddenly I realized I had to write the story. I had never considered becoming a writer, it was as if a switch was flipped and that was it. It took me ten years to write it and get it published!

Name your writing influences (writers, books, teachers, etc.). 

I love Anthony Trollope, Iris Murdoch, Rachel Cusk, Susanna Clarke, and Donna Tartt. None of these, with the exception of Donna Tartt's The Secret History are directly perceptible in my writing. It's funny, my novel Age of Consent is so American, but I mostly read British authors! I have always been a reader. You cannot be a writer without first being a reader. When I was in 7th grade my teacher Mrs. Alling took me aside and asked me if I'd like to do a special reading seminar with her. I was already reading constantly, but she helped me expand into new territory, introducing me to surrealist authors and edgy modern ones pushing boundaries. 

When and where do you write?

I have a day job that I cannot afford to abandon, so I write whenever and wherever I can. I mostly write in my bedroom (the only place I have any privacy!) and tend to write early in the morning, hopefully carving out an hour or so every day. I don't have the luxury of writing every day, I am planning on that in the future, at some point. 

What are you working on now?

A new novel about two women who look exactly alike. It's very different from Age of Consent. 

Have you ever suffered from writer’s block?

A little bit. I'd say it is more like "plot block" which happens when I don't know what is going to happen next in the narrative. I have to go for long walks, visualizing the story, until the answer unfolds before me. 

What’s the best writing advice you’ve ever received?

Writing is like being in a boat, and you are crossing the ocean, and you must cross to the other side, no matter what. 

What’s your advice to new writers?

Don't show your work to too many people, and if you do, receive their advice with a deep breath, a thanks, and then tell yourself, this is MY work, nobody else's. Never take the advice unless it really strikes a chord, and even then, let it sit with you for a while before altering your work.  

Amanda Brainerd grew up in New York City and went to Harvard College and Columbia Architecture. She sells real estate by day, and lives with her husband, three children, two cats and one dog blocks from her childhood apartment. Age of Consent (Viking July 2020) is her first novel.