You Have to Listen to Everyone

From my childhood, I remember talking to people, and the stories they told me were more interesting than what’s in books. People tell me extraordinary things, and I realize that there is nothing in the world about which we know anything for sure. Each person screams out his or her truth. You have to listen to everyone. As an artist, you have to listen to both the executioner and the victim.

SVETLANA ALEXIEVICH

How to Write Coincidence

One way to use coincidence and make it work is to have nothing turn on it. Coincidences feel illegitimate when they solve problems. If the story doesn’t benefit from the coincidence, it’s simply pretty and suggestive. Another way to make a coincidence work is to begin a story with it. Make it the reason there’s a story to tell in the first place. A third is to establish that the community in which your story takes place is one in which coincidence is part of the landscape. People in my town, New Haven, Connecticut, revel in coincidence, and we claim it happens here all the time: you know everyone in more than one way. Maybe this is true in all cities of a certain size—small enough that the barista will turn out to be your office mate’s daughter; large enough that you’ll be surprised.

ALICE MATTISON

It's Never Too Late

Writing is not like dancing or modeling; it's not something where—if you missed it by age 19—you're finished. It's never too late. Your writing will only get better as you get older and wiser. If you write something beautiful and important, and the right person somehow discovers it, they will clear room for you on the bookshelves of the world—at any age. At least try.

ELIZABETH GILBERT

Practice, Practice, Practice

What you want is practice, practice, practice. It doesn’t matter what we write (at least this is my view) at our age, so long as we write continually as well as we can. I feel that every time I write a page either of prose or of verse, with real effort, even if it’s thrown into the fire the next minute, I am so much further on.

C.S. LEWIS