Just Listen

For years I’d see reporters come in with lists of questions to ask. They had to get through that list, no matter what. You’d never do that with jazz artists. Forget the questions. Listen. Duke [Ellington] used to say to me, "I don’t want people listening to my music to analyze what the chords are or what we’re doing with the rhythms. I want them to open up to the music." It's the same thing with interviewing. I just listen, and the questions come from that.

NAT HENTOFF

Cigars Are the Perfect Literary Drug

At the end of a book, when I’m extremely exhausted, mentally fatigued, I sometimes sneak off into the yard and smoke a cigar, maybe six or seven times per book. That’s a bad habit I picked up when I lived in Berlin. … Occasionally, instead of having a Red Bull, as a twenty-year-old might, I resort to the Thomas Mann method, the Maria Mancinis, but not very often. Cigars are the perfect literary drug. I understand why Mann, Freud, and so many durable people smoked cigars. It really focuses the mind.

JEFFREY EUGENIDES

Writing Is Like Playing the Guitar

Writing is like playing the guitar. There’s no substitute for practice. Guidance and models and goals are good, and you have to listen to really good guitarists/read really good writers and pay attention to how they do it (listening to your exact peers fumble isn’t as helpful), but mainly you have to do it. With passion, for which there’s also no substitute.

REBECCA SOLNIT

Write Every Day

Write every day, line by line, page by page, hour by hour. Do this despite fear. For above all else, beyond imagination and skill, what the world asks of you is courage, courage to risk rejection, ridicule and failure. As you follow the quest for stories told with meaning and beauty, study thoughtfully but write boldly. Then, like the hero of the fable, your dance will dazzle the world.

ROBERT McKEE