Copyediting Is a Knack

Copyediting is a knack. It requires a good ear for how language sounds and a good eye for how it manifests itself on the page; it demands an ability to listen to what writers are attempting to do and, hopefully and helpfully, the means to augment it. One can, and certainly should, study the subject, if one is to do this sort of work professionally. Lord knows the world does not lack for books about grammar and word usage. But I do think that it’s a craft whose knowledge can only be built on some mysterious predisposition. (The one thing I know that most copy editors have in common is that they were all early readers and spent much of their childhoods with their noses pressed into books.) As one of my colleagues once described it: You’re attempting to burrow into the brains of your writers and do for, to, and with their prose what they themselves might have done for, to, and with it had they not already looked at each damn sentence 657 times.

BENJAMIN DREYER

Late Afternoons

My friend Margaret Atwood has said that in the late afternoon she is likely to be overcome by a feeling of desperation that she has accomplished so little that day, & this is a feeling I share, often. It seems that I waste most of my time gazing out the window here at my (overgrown) garden; & when I am in Berkeley, where I spend about one-third of the year, I am forever gazing out the window toward the San Francisco Bay & a continually changing, always-beautiful sky.

JOYCE CAROL OATES

Writer's Block Is a Load of Nonsense

Writer’s block is a load of nonsense—I’ve always been a bit suspicious of it. It’s more likely to be a symptom of depression or maybe they’ve just got nothing interesting to say. Using your imagination to create a work of fiction involves exercising the mind and the more you do it, the more adept you become. I go to Botswana for a couple of weeks a year and I just open my eyes to the opportunities in everyday life. Most of my writing is what I have in the bank of memories I’ve accumulated.

ALEXANDER McCALL SMITH

Many People, Few Ideas

I think, therefore I am is the statement of an intellectual who underrates toothaches. I feel, therefore I am is a truth much more universally valid, and it applies to everything that's alive. My self does not differ substantially from yours in terms of its thought. Many people, few ideas: we all think more or less the same, and we exchange, borrow, steal thoughts from one another. However, when someone steps on my foot, only I feel the pain. The basis of the self is not thought but suffering, which is the most fundamental of all feelings. While it suffers, not even a cat can doubt its unique and uninterchangeable self. In intense suffering the world disappears and each of us is alone with his self. Suffering is the university of egocentrism.

MILAN KUNDERA

What We Call Poetry

It is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions inside the head and express something— perhaps not much, just something—of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are, from the momentary effect of the barometer to the force that created men distinct from trees…and in that same moment, make out of it all the vital signature of a human being—not of an atom, or of a geometrical diagram, or of a heap of lenses—but a human being, we call it poetry.

TED HUGHES

Don't Overwrite

Don't overwrite. Avoid the redundant phrases, the distracting adjectives, the unnecessary adverbs. Beginners, especially, seem to think that writing fiction needs a special kind of flowery prose, completely unlike any sort of language one might encounter in day-to-day life. This is a misapprehension about how the effects of fiction are produced.

SARAH WATERS

Start Writing Today

Write. Start writing today. Start writing right now. Don’t write it right, just write it –and then make it right later. Give yourself the mental freedom to enjoy the process, because the process of writing is a long one. Be wary of “writing rules” and advice. Do it your way. 

TARA MOSS

What Matters

What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, nor who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say.

DAVE EGGERS

We'd Better Think About Audience

We’re not only allowed to think about audience, we’d better. What we’re doing in writing is not all that different from what we’ve been doing all our lives, i.e., using our personalities as a way of coping with life. Writing is about charm, about finding and accessing and honing ones’ particular charms. To say that “a light goes on” is not quite right—it’s more like: a fixture gets installed.

GEORGE SAUNDERS

A Simple Structure Will Do

A simple and straightforward structure will do. Structure is one of those craft decisions that unfortunately one cannot avoid when writing a novel. Some novels may be remembered for their ingenious structures, but a novel does not have to have an ingenious structure to be great. A simple structure will do just fine. For instance, War and Peace has the most straightforward structure: the novel alternates between war (characters in the military settings) and peace (characters in the civilian settings). A complex book doesn’t have to have a complicated structure.

YIYUN LI