The Narrative Essay

Poetry seems to have priced itself out of a job; sadly, it often handles few materials of significance and addresses a tiny audience. Literary fiction is scarcely published; it’s getting to be like conceptual art — all the unknown writer can do is tell people about his work, and all they can say is, “good idea.” The short story is to some extent going the way of poetry, willfully limiting its subject matter to such narrow surfaces that it cannot address the things that most engage our hearts and minds. So the narrative essay may become the genre of choice for writers devoted to significant literature.

ANNIE DILLARD

Fight for Your Structure and Underpinning

The hardest thing in film is distinguishing between good and bad input. The whole point of writing screenplays is to provide a platform from which a director, actors and cinematographer will be able to leap to create something infinitely richer and more suggestive. You have to excite your colleagues. If you are too prescriptive in what you write, there is no room for their genius. But if you do not fight for your structure and underpinning, then everything will go to hell in an inchoate mess of actors’ improvisation and directorial overreach.

DAVID HARE

The Reason for Every Work of Art

I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAÏS NIN

Writing Advice

Writing advice is neither good nor bad. It just is. It either works for you or it doesn’t. No one piece of advice is truly golden (with the exception of maybe ‘Finish your shit’ and ‘Don’t be a dick’) — it’s all just that. Advice. It’s no better or worse than someone telling you what route to take to get to the zoo or what shirt to wear to that trailer park wedding. Like with every tool, pick it up, test its heft, give it a whirl. It works? Keep it. It fails? Fucking ditch it. Give writing advice no more importance than it is due.

CHUCK WENDIG

Spring Fire

I became friendly with the editor, Dick Carroll, and he said, if you had a story to write, what would you write about? And I said, well, I just came from college. And before that I was in boarding school, and I had a lesbian experience in boarding school. And I think I would write about that. And he said, oh, that's a wonderful idea, but make it college. Because he said, grade-school people don't read our books. Make it college. And so then I wrote Spring Fire. He called it Spring Fire because James Michener had a novel out called The Fires Of Spring. And Dick thought, maybe people will confuse this with Michener and we'll have doubled the sales because nobody really thought a book about lesbians was going to sell anything.

MARIJANE MEAKER

Avoidance

I think there is a tremendous amount of avoidance that goes on while writing. People used to ask me if I got writers block and I’d always say, “no” because I have never had that thing where you just sit and stare at the blank page and nothing comes. But then I realized that I did have writer’s block, it just didn’t take that form. The form was this incredible avoidance and I could think of so many things to do, and they were all totally legitimate things. I mean your taxes have to be done, right? All the things that interfere in life. I once made an experiment, if I quit writing would I have a lot of spare time? And after three weeks I realized that I could just quit and never notice. The time would just vanish like throwing a stone into the water, it would leave no trace. So unless I was willing to just carve out this time for writing, I was never going to get anything done. It is a dilemma that I think everyone faces.

CONNIE WILLIS

A Writer Can Write Anywhere

I…learned long ago in the camp to compose and to write as I marched in a column under escort; out on the frozen steppe; in an iron foundry; in the hubbub of a prison hut. A soldier can squat on the ground and fall asleep immediately; a dog in freezing weather is as snug in his own shaggy coat as he would be by a stove, and I was equipped by nature to write anywhere.

ALEKSANDR SOLZHENITSYN

It's a Bad Life

Writers spend more time in rooms, staying awake in quiet rooms, than they do hunting lions in Africa. So, it’s a bad life for a person because it’s so lonely and because it consists of such highs and lows, and there’s not always anywhere to take these emotional states.… It’s a life that’s tough to sustain without falling prey to some kind of beguiling diversion that’s not good for you.

ROBERT STONE

Surprises Happen

I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously—that I’m seeing it in one flash. But in the working out, the writing out, infinite surprises happen. Thank God, because surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.

TRUMAN CAPOTE

Why Short Stories?

Why short stories? I really don’t know. Maybe it’s at least partly because I’m very slow—I’m a shockingly slow reader, I write extremely slowly, I walk slowly, I think slowly. Much of my reading when I was young was short fiction, because it takes me about as long to read a story as it takes most people to read a novel, and I suppose I developed a taste for the sort of mystery to which concision is especially conducive, and for the athleticism that lacunae ask of the reader.

DEBORAH EISENBERG