Fight for Your Structure and Underpinning

The hardest thing in film is distinguishing between good and bad input. The whole point of writing screenplays is to provide a platform from which a director, actors and cinematographer will be able to leap to create something infinitely richer and more suggestive. You have to excite your colleagues. If you are too prescriptive in what you write, there is no room for their genius. But if you do not fight for your structure and underpinning, then everything will go to hell in an inchoate mess of actors’ improvisation and directorial overreach.

DAVID HARE