Central Truth

There is a kind of central truth and if you get the central truth, and the motion of people, then the rest is implied. Henry James talks about this in The Art of Fiction. He writes about a woman writer he knew who ran up the stairs of a little French house in Paris, and on her way up she passed a room with a door open and inside there was a meeting going on of French Huguenots—this was in the nineteenth century—and they were smoking cigarettes and talking. She was only there for half a minute; she paused and then she went on. Two or three years later she wrote a book about the Huguenots, and everything in it, as Henry James said, was absolutely true. She just went from that one moment. Now, I was very careful not to tell my students to only write about what you know, because I couldn’t define what they knew. That’s where the question really begins. How to define what you know. And what she knew and sensed in that second was everything.

PAULA FOX