Language Is the Ticket to Plot and Character

Language is the ticket to plot and character, after all, because both are built out of language. If you write a page a day for 30 days, and you pick the parts where the language is working, plot and character will start to emerge organically. For me, plot and character emerge directly from the word—as opposed to having a light-bulb about a character or event. I just don’t work like that. Though I know some writers do, I can’t. I’ll think, Oh, I have an insight about the character, and when I’ll sit down to write, it feels extremely imposed and lasts for two minutes. I find I can write for two lines and then I have nothing else to say. For me, the only way to find something comes through the sentence level, and sticking with the sentences that give a subtle feeling that there’s something more to say. This means I’ve hit on something unconscious enough to write about—something with enough unknown in there to be brought out. On some level I can sense that, and it keeps me going.

AIMEE BENDER