We just start right off with scene one, and since we are on the film set all the time, there is no “Slow fade-in, camera tiptoes.” None of that. Just “Day” or “Night,” so that that cameraman knows how to light, not even “Morning” or “Evening.” There’s a minimum of fancy descriptions. I find with young writers, and some of them with very good ideas, that they get lost in technical descriptions of which they know very little. Nobody will say, “This is a great screenwriter because he always has the camera angles.” Just have good characters and good scenes and something that plays.

BILLY WILDER